Hollis Frampton Movies
- 1976
For Georgia O'Keeffe
For Georgia O'Keeffe01976HD
“An exquisite homage to O’Keeffe’s ‘Radiator Building, Night’.” –Mark Webber
- 1972
Yellow Springs (Magellan: Vanishing Point #1)
Yellow Springs (Magellan: Vanishing Point #1)01972HD
“A portrait of the filmmaker, Paul Sharits, in particular response to energies he generated one May afternoon in 1971.” –Hollis...
- 2006
Funtime at the Vasulkas
Funtime at the Vasulkas02006HD
A recording of a meeting in the studio where Jeffrey Schier and Woody show colleagues and teachers a new tool. Between 1976 and 1980, Woody and...
- 1976
Procession
Procession01976HD
The understandable fascination with Frampton's intellect can blind one to the frequent down-home dimension of his imagery. Here, in a most rigorously...
- 1976
Otherwise Unexplained Fires
Otherwise Unexplained Fires01976HD
"Filmed in large part during H.F.'s lecture-screening tour in the bay area: visit(s) to the Musee Mechanique, Land's End, the Cliff House. The San...
- 1968
A Lecture
A Lecture01968HD
This performance piece by filmmaker Hollis Frampton, recorded in 1968 in New York City, features the voice of artist Michael Snow. Frampton would...
- 1972
Public Domain
Public Domain01972HD
"In PUBLIC DOMAIN...(Frampton) recapitulates cinema's infancy in a series of direct quotes from such notable primitive works as RECORD OF A SNEEZE...
- 1969
Black and White Film
Black and White Film01969HD
“For Black and White Film, Huot created his own photographic imagery for the first time. After a few moments of darkness, a young woman (Sheila...
- 1974
Summer Solstice
Summer Solstice01974HD
"The operations that dislocate a film like Summer Solstice– I hope irreparably– from being a movie about the locomotion and eating habits...
- 1974
Noctiluca
Noctiluca01974HD
Otherwise known as Magellan's Toys #1. Hollis Frampton's "Noctiluca" was a film designed to be shown on the second day of the Magellan cycle, the...
- 1976
Not the First Time
Not the First Time01976HD
"This film is composed of different and relatively commonplace subjects, but each image is a super-imposition ('double exposure') of two similar...